POLYVINYL CHLORIDE‼‼‼
Hamlet, being a university student in Wittenberg (a center of Protestant Reformation thought), is likely influenced by Protestant ideas. At the same time, Catholicism, with its emphasis on ritual, purgatory, and the afterlife, still shapes Hamlet’s ethical and spiritual thinking. This duality creates a complex moral framework through which Hamlet views the world.
These competing worldviews drive Hamlet’s introspection and his philosophical grappling with the ethical implications of his actions.
The ghost of King Hamlet introduces one of the key conflicts in the play, and it represents a theological problem that stems from Hamlet’s religious upbringing.
Thus, Hamlet’s religious uncertainty contributes to his philosophical hesitation. He fears the consequences of acting on the ghost’s command without being sure of its moral legitimacy.
Hamlet’s religious upbringing deeply affects his understanding of death and the afterlife. Catholicism and Protestantism both emphasize the fear of eternal damnation, and Hamlet’s thoughts on these matters complicate his ability to act.
Fear of damnation: One of Hamlet’s primary concerns is the potential damnation of his soul if he kills Claudius, particularly if the act is done in the wrong way or for the wrong reasons. In Act 3, Scene 3, Hamlet hesitates to kill Claudius while he is praying because, under Catholic belief, killing Claudius in a state of grace would send his soul to heaven rather than hell. Hamlet says:
“Now might I do it pat, now he is praying;
And now I’ll do’t: and so he goes to heaven;
And so am I revenged. That would be scann’d:
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.”
This reveals Hamlet’s concern about the eternal consequences of his actions, informed by his Catholic sense of sin and redemption. Hamlet wants to ensure that Claudius receives appropriate punishment in both life and the afterlife.
Contemplation of suicide: Hamlet’s famous “To be or not to be” soliloquy (Act 3, Scene 1) explores his existential contemplation of life and death, and reflects his deep inner conflict about the morality of suicide. In Catholic doctrine, suicide is a mortal sin that leads to eternal damnation. Hamlet’s inability to see death as an escape from suffering is influenced by his religious fears. His fear of what comes after death—the “undiscovered country”—is largely shaped by his Catholic anxiety about judgment and damnation, which prevents him from viewing suicide as a legitimate option to end his earthly suffering.
Hamlet’s struggle to act can be seen as a conflict between religious moralities. On the one hand, he feels the need to avenge his father’s murder, a demand that comes from his Catholic sense of familial and moral duty. On the other hand, Protestant individualism and skepticism make him question whether revenge is morally justifiable, especially when it may compromise his own salvation.
Throughout the play, Hamlet perceives Denmark as morally and spiritually corrupt, referring to it as an “unweeded garden” and commenting on the decay and hypocrisy around him. His religious upbringing informs his sense of the world’s corruption, especially regarding Claudius and Gertrude’s morally questionable actions.